"Colliding Complexities-Extreme feats of the New York-New Aesthetic”
opens September 21st, 2012, at the Storefront Bushwick, http://storefrontbushwick.com/

Curated by [dNASAb] in collaboration with the Frederieke Taylor Gallery. http://www.frederieketaylorgallery.com/

PRATT Department of Digital Arts is hosting a Panel Discussion “Colliding Complexities- New York- New Aesthetic”, on Oct. 2nd,,2012. 6:30-8:30 pm.


"Colliding Complexities: Extreme Feats of the New York-New Aesthetic" is an exhibition of New York artists whose work navigates complex methods of production in the physical and digital realms. The "New Aesthetic" began as a Tumblr by James Bridle, and its core theme is the utilization of technological tools to augment our view of the contemporary world. Bruce Sterling asserts that the "New Aesthetic" concerns itself with "an explosion of the digital into the physical." The cutting-edge works in this exhibit exemplify the "New Aesthetic" from the perspective of New York practioners Pedro Barbeito, [dNASAb], Cliff Evans, Carla Gannis, Shane Hope, Michael Rees, John F. Simon Jr, Vargas-Suarez Universal, Oliver Warden and Marius Watz.

The goals of this exhibition are to define the parameters of the "New Aesthetic" in relation to the fine arts, to highlight the non "digital native" artists who are the passionate "frontiersmen" of the "NEW" in their decision to adopt the tools of the "NOW," and to encourage further discourse and collaboration in the delineation of what constitutes the "New Aesthetic" in contemporary art.

"Colliding Complexities-New York-New Aesthetic"

"Colliding Complexities-Extreme feats of the New York-New Aesthetic" opens Sept. 21,2012 at StorefrontBushwick Gallery

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ART21 + Nettrice Gaskins report on a group exhibition highlighting the complex intersections between art, science and technology.

ART21 + Nettrice Gaskins report on a group exhibition highlighting the complex intersections between art, science and technology.

http://blog.art21.org/2012/10/02/colliding-complexities_extreme-feats-of-the-new-york_new-aesthetic/#more-71149

Bricolage is a French word, with no direct equivalent in English. It connotes the process of finding out how to make things work, not from standard rules or methods but from messing around with whatever materials are on hand. This term suggests a sense of improvisation and tinkering that transforms the context and meaning of these objects, such as in works created by Sarah Sze. This is an important concept in contemporary art production and entrepreneurship. Michael Rush notes postmodern aesthetics discourse regarding how recent social-economic changes produce particular structures of feeling or cultural logics that are reflected in new art forms. Postmodernism also implies that we’ve run out of things to say. I think that we need to cast a much broader net to capture the spirit of the moment we’re in now; and expand definitions to capture innovative ideas such as the free use of digital images, objects and information. Holland Wilde writes that a bricoleur produces a “pieced-together set of representations that is fitted to the specifics of a complex situation…(it) is pragmatic, strategic and self-reflexive.” This blog post highlights artists and works as part of evolving creative practices that explore the spatial, social and cultural (techno­vernacular) dimensions of the material and virtual in a variety of ways. more…..

Oct 2 2012
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  • #ART 21
  • #Cliff Evans
  • #carla gannis
  • #Colliding Complexities
  • #Colliding Complexities-New York-New Aesthetic
  • #Colliding Complexities- Extreme feats of the New York-New Aesthetic
  • #[dNASAb]
  • #Vargas-Suarez Universal
  • #Shane Hope
  • #Storefront Bushwick gallery
  • #PRATT Department of Digital Arts
  • #pedro barbeito
  • #michael rees
  • #marius watz
  • #John F Simon Jr
  • #NewYork NewAesthetic
  • #new aesthetic
  • #Nyna
  • #Frederieke Taylor Gallery
  • #Nettrice Gaskins
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